Lady Gaga is an interesting phenomena whose theatrical and satirical music videos offer an insightful commentary on and parody of America's wanton sexuality, consumerism and self-absorbed showmanship. Even the ambiguity of her sex and sexuality contribute to effectiveness of her appeal as an extraordinarily marketable performance artist. As a consequence of several comments from readers, it should be noted that this critique of Lady Gaga is limited to the video "Paparazzi," as I am unfamiliar with the rest of her work.