A Call to Reason and Cooperation in Dealing with Increasing Global Terrorism

U.S. Secretary of State John Kerry (C) shakes hands with Israeli President Shimon Peres (L) and Palestinian President Mahmoud Abbas at the World Economic Forum on the Middle East and North Africa at the King Hussein Convention Centre, at the Dead Se…

U.S. Secretary of State John Kerry (C) shakes hands with Israeli President Shimon Peres (L) and Palestinian President Mahmoud Abbas at the World Economic Forum on the Middle East and North Africa at the King Hussein Convention Centre, at the Dead Sea May 26, 2013. REUTERS/Jim Young

ISRAEL - It is always the innocent who end up suffering the most, no matter what the conflict happens to be. This is a sad reality of the world we live in, and one in which we are confronted with daily, because of an increase in global conflict, terrorism, and the instability of nations. Weaponized hatred and terror has significantly increased in the present day, as leaders of extremists’ groups radicalize individuals and deploy them in unexpected attacks which are difficult to predict. The inability to anticipate these attacks has resulted in nations being forced to introduce stringent security measures that are more restrictive on innocent citizens, but at the same time fail in curtailing the acts of real terrorists, who often slip through undetected.

The recent terror attacks in Paris and Brussels are both examples of radicals who inflicted mayhem in a misguided attempt to express their loyalty to groups like ISIS. These individuals were easily manipulated into committing a series of reprehensible acts; acts which were concocted without any real goal in mind other than to instill terror, confusion, and suspicion. Unlike true revolutionaries, who have set and clearly defined objectives (which may at times result in violence), and whose methods are usually meant to garner support for their cause, these radicals are primarily focused only on differentiating themselves from whatever element they strove to rebel against. In short, their acts of terror promise peace if only the citizens would choose their cause over that of the incumbent government. Usually, nothing could be farther from the truth as citizen’s usually replace the devil they know with an equally deceptive regime.

It is a sad matter of fact, but domestic and international terrorists are only increasing in their attempts to target America, the E.U., Africa, Asia, and the Middle East. Indeed, few places in the world now seem off limits. At times, it seems as if these terrorists enjoy a twisted pleasure in targeting innocent men, women, and children- regardless of their country of origin, background, or religion. When people think of terrorism, they usually associate it with organization such as ISIS or Al-Qaeda. In reality, however, these groups are not always behind the attacks. There are just as many attacks by ‘lone’ wolves (individuals who act on their own accord) who seek revenge for real or perceived offences. Such was the case with Yosef Haim Ben David, an Israeli settler who orchestrated the murder of 16-year-old Mohammed Abu Khdair, who was beaten and burned alive in the summer of 2014. By his own admission, Ben David admitted that Khdair’s murder was largely in response to Hussam Qawasmeh’s kidnapping and murder of three Israeli teens in the West Bank in that same year. These examples are particularly worthwhile to note, because they go to highlight the fact that acts of terror are not always attributed to any one side or the other. Instead, they should be seen for what they are - baseless crimes of hate. Blame for these actions should be placed squarely on the person or persons who are solely responsible for perpetrating these heinous acts.

On Tuesday, 19 April 2016, the BBC News reported that the ringleader in the murder of Abu Khdair was found guilty by an Israeli court. Ben David has yet to be sentenced, but judgement is anticipated to be harsh and followed by a lengthy prison sentence.  Meanwhile, in a similar case, The New York Times reported on January 6, 2015 that Hussam Qawasmeh, the Palestinian behind the Kidnap and Murder of the 3 Israeli teens, received 3 consecutive life sentences for his role in the murders. Both cases are extreme examples of people who acted on their own accord; individuals who took out their anger on innocent bystanders, in a misguided attempt to inflict pain on those whom they perceived as having harmed or insulted them. While they truly believed they were furthering the agendas of their governments, the fact of the matter is that in reality they had little or no insight into the broader political and security process which governments take into consideration when combating terrorism. The heinous acts committed by these men are theirs alone, and for these crimes they have been judged and found guilty. It is a case in which respect for and protection of human rights trumped all other agendas.

By the same note, it is the job of respective governments to strive to put aside their differences when confronting the global threat from extremists. World powers must unite in this endeavor, and the responsibility of overcoming these threats must be shared. Great examples of this can be seen through the workings of countries such as India and Pakistan, who have recently learned to cooperate in tackling this issue. Just this past month, for example, The Indian Express reported that intelligence from Pakistan’s security apparatus was shared with its long-time rival, India, in preventing a large-scale terror attack from being carried out on Indian soil. This selfless act undoubtedly helped to save lives and must be praised for showing what can be achieved when countries work in setting aside their personal differences, and instead choose to protect innocent civilians - regardless of their creed or nationality. Countries in Africa, Asia, and the Middle East can (and indeed should) all learn to follow suit, because It’s not too late.

What people must now come to a consensus on is that tragedy should cease to be politicized. Pain is not a zero-sum game. One tragedy, should not work in taking away from another. Nor should it justify it. In this sense, the pain and strife which has befallen the Palestinian people, for example, should not take away from the pain and strife which is now unfolding in Israel. Both sides are equally right in hurting, and both sides must learn to empathize with the other. Only in this way, will real progress be made. Not only in the now decades-old Israeli-Palestinian conflict, but also throughout the traumatized region.

Contributing Journalist: @JonEizyk
LinkedIn: Jon Eizyk

Fernando Botero | Amedeo Modigliani

Ayanna Nahmias, Editor-in-ChiefLast Modified: 00:31 AM EDT, Sunday, 7 August 2011

An Odalisque (Turkish: Odalık) was a female slave in an Ottoman seraglio. She was an assistant or apprentice to the concubines and wives, and she might rise in status to become one of them. Most odalisque were part of the Imperial Harem, that is, the household, of the sultan.

Many artists, especially classical artist such as Jean August Dominique Ingres, who in 1814 painted the Grand Odalisque, often portrayed female nudes in this style. Hence the original use of the word as a noun has morphed within the field of paintings into an adjective which used to describe a particular style of portraying a female nude.

Two of into my favorite artists, Amedeo Clemente Modigliani (July 12, 1884 – January 24, 1920 and Fernando Botero Angulo (born April 19,1932 - present), depict stylized Odalisque at opposite ends of the spectrum. Both artists portray women in exaggerated proportions, Modigliani chose to elongate his figures, while Botero chose to accentuate corpulence. I find in each a more  natural, albeit caricature, portrayal of women because these artists do not seek perfection through idealization.

Whereas the nudes of the great artists like Michaelangelo strive to not only portray physical perfection of the body types of their age, it seemed as if the artists sought to imbue the canvas with the very essence of the model's soul.  By contrast, Modigliani and Botero seek to explore other aspects of painting and the female nude.

Modigliani was born into an Italian-Jewish family from Livorno, Italy.  He moved to Paris in 1906 where he met a female poet,  Anna Akhmatov who became the inspiration for many of his paintings."

"One of the key-elements of Modigliani's portraitism were the slated heads, derived from Byzantine cariatides because of the horizontal placement of the eyes and mouth coupled with the curvature of the nose. The portraits subtlety is due to Modigliani's unique talent, but its essence, the facial constructions one of the most important artistic inventions of modern art." Source:  Paintings.Name

Amadeo_Modigliani Reclining Nude

Amadeo_Modigliani Reclining Nude

Such directness in figurative portraiture forms the basis for abstract art, and in fact, Picasso would later use this mask-like depictions of the human face in many of his paintings.

Born in 1932 in Medellin, Colombia, as Fernando Botero Angulo, he has worked in landscapes and still-lifes, but his fame rests on paintings and sculpture of human figures with almost comically exaggerated, rounded features. Colombians have loved him for decades, at least since he won first prize at the Salon de Artistas Colmbiano in 1959, and find his work emblematic of their nation’s identity.

The Latin American artist is often quoted as saying that he paints "the world as he sees it." His work though in the style of caricature is immediately recognizable, and captivating or repulsive depending upon the viewer's perception of corpulence. For those who like 'Zaftig' women, Botero's preference for bigger, richer, models versus thin and emaciated body types that are currently in vogue, makes his work fascinating and engaging.

For students of art history, even a cursory review of his work reveals a Baroque influence. One could reasonably argue that Botero uses the distortion of proportion as commentary on social mores and the stature of the subject.

Botero, Reclining Nude

Botero, Reclining Nude

Perhaps the tendency of Baroque art toward abundance and heightened proportion helped form his signature style. But for his part, Botero claims not to have known or understood the sources of his art when he began painting, calling it entirely intuitive.

Botero’s Baroque inspiration was recognized in the title of a major exhibition of his work, “The Baroque World of Fernando Botero,” which toured museums in North America from 2007 through 2008. The accompanying catalog, published by Yale University Press (2007), is the most extensive study of his life and work to date. Featuring 100 works from the artist’s private collection, the volume provides an informed review of his considerable body of work. Source:  Antique Trader

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2010 in Review | Nahmias Cipher Report

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Healthy blog!The Blog-Health-o-Meter™ reads Wow!!

The stats helper monkeys at WordPress.com mulled over how this blog did in 2010, and here's a high level summary of its overall blog health:

The Louvre Museum has 8.5 million visitors per year. This blog was viewed about 100,000 times in 2010. If it were an exhibit at The Louvre Museum, it would take 4 days for that many people to see it.

In 2010, there were 89 new posts, growing the total archive of this blog to 146 posts. There were 261 pictures uploaded, taking up a total of 24mb. That's about 5 pictures per week.

The busiest day of the year was September 10th with 888 views. The most popular post that day was Happy Ethiopian New Year | Melkam Addis Amet!.

Where did they come from?

The top referring sites in 2010 were Google Ad Words, Facebook, Networked Blogs, EN Wordpress, and Radio Netherlands Worldwide.

Some visitors came searching, mostly for henna, gele, wife, ethiopian, and ethiopian new year.

Attractions in 2010

These are the posts and pages that got the most views in 2010.

1

Happy Ethiopian New Year | Melkam Addis Amet! September 2010 2 comments

2

Who We Are August 2009 36 comments

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NCR in the News! August 2010 10 comments

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Force Feeding Girls for Marriage April 2010 2 comments

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"Tell your own story, and you will be interesting. Don't get the green disease of envy. Don't be fooled by success and money. Don't let anything come between you and your work." ~ Louise Bourgeois Artist Louise Bourgeois died at Beth Israel Medical Center in Manhattan on Monday, 31 May 2010. She suffered a heart attack Saturday night, said the studio director, Wendy Williams. Although 98, she was still working and in fact finished her latest piece just last week.

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'Children of Africa, Children of the World' I Rama Yade

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The ANI association has organized the "Fortnight of Children of Africa," a conference where leading proponents of the movement will publicly debate the issues and concerns of education in Africa. This is the 4th year of that this event has been held and the theme is "Children of Africa, Children of the World." Last year's event was hosted by Rama Yade, a Senegalese French politician who has served in the government of France since 2007. Watch the video of her speech here. Children are our most precious resource and we must ensure that all children regardless of their country of origin, religion or ethnicity are protected, nurtured, and availed of all the rights, privileges, freedoms and opportunities that are the hallmark of the best of humankind. The well worn statement that "it takes a village to raise a child," is as apropos today in this technological world as it was when we lived in more pastoral environs. We are the village and though most of us live in virtual worlds, when we choose to be physically present and engaged with people, we are truly powerful and can make a difference.

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